5 thoughts on “What are the characteristics of the jade wares in the classical period?”
Arturo
In the early Warring States Period, jade wares were represented by the jade wares unearthed from the hometown of Shandong and the tomb of Zenghou Yi in Hubei. Its craftsmanship is more complicated, and the shape has gradually stretched. The corners of the body are sharp, especially when the image of the dragon and phoenixes who look back on the chest has also begun to show a certain dynamic. The decorative patterns are mostly densely densely hidden valley patterns, rolling moisture patterns, etc. Some valley patterns are engraved with a yin line, and even linked it. At this time, the ground -shaped jade artifact was not thorough, and the pattern was mostly grinded, so it produced a kind of artistic effect of timely and changing. Among them, the many dragon and phoenixes unearthed from the tomb of Zeng Houyi are rare art treasures in the early warring States jade articles. The jade material is fine and exquisite in craftsmanship. It is made of 48 cm in length and is made of 5 pieces of jade. The surface of the device is carved with dragons, phoenixes, Li, etc., and the geometric patterns are decorated. At the same time, it collects shade, relief, hollow, tenon, and grinding in a device. The process is complicated and difficult, which reflects the level of jade governance at the early war of the Warring States Period.
Jade in the Spring and Autumn Period. During this period, the jade wares were not only large, but also the top jade quality, and many beautiful types were newly created, and the style was fresh and free. The Jade Tiger of the Spring and Autumn Period and the Warring States Period is large and small, and the decorative patterns applied by the jade tiger are sparse in the early stage and dense in the later period. In the early stage, the decoration can be divided into separate cloud patterns, lightning patterns, hook -linked lines, and pupae patterns. These patterns can cooperate with each other to show the tiger's expression. In the later period, there is no difference in jade tiger. Dragon -shaped jade pendant is the richest jade artificial jade in the Spring and Autumn Period and the Warring States Period. The shape is rich and diverse, and the Yulong Pei has risen since the Spring and Autumn Period, and has developed to its peak in the Warring States Period.
The jade articles in the Han Dynasty were summarized, which has the following characteristics: 1: Material: Xinjiang Hetian jade was used in large quantities. The raw materials of the jade in the Han Dynasty are mainly sheep fat, white jade, blue jade, green jade, green jade, and Manasbask in the northern foot of Kunlun Mountain in Xinjiang, as well as a small amount of Xiuyan jade, Lantian jade, crystal, chalcedony, agate, etc. The use of Hetian jade, especially Hetian sheep fat before the Han Dynasty, was rare. 2: In terms of device type: In the Jade in the Spring and Autumn Period and the Warring States Period, a large number of new instruments have evolved. Such as the golden jade clothing in jade, Jiqiaozai, jade cicada, jade pig grip, etc. Yuyin, Evil, Gangyao, Yan Yan, Sinan Pei, Weng Zhong, Yuwu Ren, Jade Music Figurine, Jade Sacrifice Man, Jade Shop, Jade Sword Artist, Gao Fa Cup, Corner Cup, Chicken Xin Pei, etc. Typical representatives, far -reaching influence.
Western Han jade. The Han Dynasty was also a peak period in the history of my country's jade wares. Especially after the mid -Western Han Dynasty, the shape and production process reached a new level. From the perspective of the unearthed Han Dynasty jade, in the early Western Han Dynasty, it mainly inherited the tradition of the Warring States Period; after the middle of the Han Dynasty, the jade production process gradually formed a new artistic style. In terms of carving craftsmanship, there are increased jade articles through carving, round carving, and high relief during the Western Han Dynasty; in the style of shape and decoration, there have also been greatly changed during the Western Han Dynasty, and the level of art has greatly exceeded the pre -Qin jade articles. During this period, in the history of Chinese jade articles, it played a role in support. The foundation of the jade grip of the Western Han Dynasty is in a realistic shape. It adopts the method of combining shade and relief. It is generally slender in the early stage, and it becomes thick in the later stage.
Due to the changes in society during the Warring States Period, the development of productive forces, and the moral cultural connotation given by Confucianism, the princes and nobles of the Warring States Period were used as fashion. It can be seen from the current archeological data that the jade articles of the Warring States Period are more abundant than the spring and autumn jade varieties. It breaks through the small parts of the decorative jade, funeral jade, which are mainly small parts of the Spring and Autumn Period. , With hooks, etc.; the craftsmanship is more fine, the throat is clear, and it is more common with the technique of emptiness, the techniques of shampoos, the ingenious ideas and the unique shape; Those patterns, leaf patterns, and patterns describing natural life appear. At the same time, the gods and beasts in the jade workers of the Warring States Period are full of nervous momentum, which greatly enhances the inner spiritual rhythm, and fully shows the Ling Yunqi of all the princes during the Warring States Period.
In the early Warring States Period, jade wares were represented by the jade wares unearthed from the hometown of Shandong and the tomb of Zenghou Yi in Hubei. Its craftsmanship is more complicated, and the shape has gradually stretched. The corners of the body are sharp, especially when the image of the dragon and phoenixes who look back on the chest has also begun to show a certain dynamic. The decorative patterns are mostly densely densely hidden valley patterns, rolling moisture patterns, etc. Some valley patterns are engraved with a yin line, and even linked it. At this time, the ground -shaped jade artifact was not thorough, and the pattern was mostly grinded, so it produced a kind of artistic effect of timely and changing. Among them, the many dragon and phoenixes unearthed from the tomb of Zeng Houyi are rare art treasures in the early warring States jade articles. The jade material is fine and exquisite in craftsmanship. It is made of 48 cm in length and is made of 5 pieces of jade. The surface of the device is carved with dragons, phoenixes, Li, etc., and the geometric patterns are decorated. At the same time, it collects shade, relief, hollow, tenon, and grinding in a device. The process is complicated and difficult, which reflects the level of jade governance at the early war of the Warring States Period.
Jade in the Spring and Autumn Period. During this period, the jade wares were not only large, but also the top jade quality, and many beautiful types were newly created, and the style was fresh and free. The Jade Tiger of the Spring and Autumn Period and the Warring States Period is large and small, and the decorative patterns applied by the jade tiger are sparse in the early stage and dense in the later period. In the early stage, the decoration can be divided into separate cloud patterns, lightning patterns, hook -linked lines, and pupae patterns. These patterns can cooperate with each other to show the tiger's expression. In the later period, there is no difference in jade tiger. Dragon -shaped jade pendant is the richest jade artificial jade in the Spring and Autumn Period and the Warring States Period. The shape is rich and diverse, and the Yulong Pei has risen since the Spring and Autumn Period, and has developed to its peak in the Warring States Period.
The jade articles in the Han Dynasty were summarized, which has the following characteristics: 1: Material: Xinjiang Hetian jade was used in large quantities. The raw materials of the jade in the Han Dynasty are mainly sheep fat, white jade, blue jade, green jade, green jade, and Manasbask in the northern foot of Kunlun Mountain in Xinjiang, as well as a small amount of Xiuyan jade, Lantian jade, crystal, chalcedony, agate, etc. The use of Hetian jade, especially Hetian sheep fat before the Han Dynasty, was rare. 2: In terms of device type: In the Jade in the Spring and Autumn Period and the Warring States Period, a large number of new instruments have evolved. Such as the golden jade clothing in jade, Jiqiaozai, jade cicada, jade pig grip, etc. Yuyin, Evil, Gangyao, Yan Yan, Sinan Pei, Weng Zhong, Yuwu Ren, Jade Music Figurine, Jade Sacrifice Man, Jade Shop, Jade Sword Artist, Gao Fa Cup, Corner Cup, Chicken Xin Pei, etc. Typical representatives, far -reaching influence.
Western Han jade. The Han Dynasty was also a peak period in the history of my country's jade wares. Especially after the mid -Western Han Dynasty, the shape and production process reached a new level. From the perspective of the unearthed Han Dynasty jade, in the early Western Han Dynasty, it mainly inherited the tradition of the Warring States Period; after the middle of the Han Dynasty, the jade production process gradually formed a new artistic style. In terms of carving craftsmanship, there are increased jade articles through carving, round carving, and high relief during the Western Han Dynasty; in the style of shape and decoration, there have also been greatly changed during the Western Han Dynasty, and the level of art has greatly exceeded the pre -Qin jade articles. During this period, in the history of Chinese jade articles, it played a role in support. The foundation of the jade grip of the Western Han Dynasty is in a realistic shape. It adopts the method of combining shade and relief. It is generally slender in the early stage, and it becomes thick in the later stage.
Due to the changes in society during the Warring States Period, the development of productive forces, and the moral cultural connotation given by Confucianism, the princes and nobles of the Warring States Period were used as fashion. It can be seen from the current archeological data that the jade articles of the Warring States Period are more abundant than the spring and autumn jade varieties. It breaks through the small parts of the decorative jade, funeral jade, which are mainly small parts of the Spring and Autumn Period. , With hooks, etc.; the craftsmanship is more fine, the throat is clear, and it is more common with the technique of emptiness, the techniques of shampoos, the ingenious ideas and the unique shape; Those patterns, leaf patterns, and patterns describing natural life appear. At the same time, the gods and beasts in the jade workers of the Warring States Period are full of nervous momentum, which greatly enhances the inner spiritual rhythm, and fully shows the Ling Yunqi of all the princes during the Warring States Period.